Saturday, August 31, 2013

12 Underrated Songs from the Past 10 years- Part II

Here's three more underappreciated songs for you to enjoy on your Labor Day Saturday. Let's keep it going with 9 through 7.

Number 9: Eric Church “Drink in my Hand” 2011



It never makes sense to me why some country songs become cross-over hits, while others fail to. Eric Church’s “Drink in my Hand” reached number one on the country charts in 2011, but was never able to crack the Billboard Top 40. This is astonishing to me because “Drink in my Hand” is one of the best party anthems of the recent past. With its tight lyrics, catchy melody, and energetic vocals, I initially thought Eric Church had created a monster mainstream hit. (Think Carrie Underwood “Before he cheats.”) Instead, most of my friends who are not diehard country fans have never heard of this song.  Even “Red Solo Cup” had more cross-over appeal than “Drink in my Hand.” This is heartbreaking since “Drink in my Hand” is a perfect example of how country music in the recent decade has filled the void left by the disappearance of heartland and southern rock. Eric Church isn’t just a country artist, but he’s also today’s Bob Seger or Marshall Tucker. Rock fans alienated by the current state of their genre should perhaps look to country music. They might like what they find.

Number 8: Company of Thieves “Oscar Wilde” 2009



This is certainly one of my favorite alt-rock songs of the past ten years. Company of Thieves front woman Genevieve Schatz has a mesmerizing voice, and it’s on full display here as she passionately belts out these melancholy lyrics. The guitar riffs in “Oscar Wilde” have a cool mid-90s alt-rock feel, but Schatz’s refined vocals feel very now, giving the song an interesting blend of both old and new. However, this song never made the Billboard Top 40. This is surprising since soon after Florence and the Machine’s “Dog Days are Over” was able to achieve mainstream success. I don’t know, maybe the song’s nineties sound confused people as to whether this a new band they should care about? Whatever the reason, it’s still a great song.



Number 7: Chris Brown “She Ain’t You” 2011



I know, I know, Chris Brown is a monster. However, I’m not judging him as a human being, I’m simply judging his music. In 2011, Brown released his best song to date and one of the best R&B jams I’ve ever heard. However, most Americans simply ignored this song or quickly dismissed it because it was made by America’s most hated pop-star. However, I dare everyone to give it a few listens and tell me they don’t love it. “She Ain’t You” features a Michael Jackson sample, which gives the song a fun eighties feel. Additionally, Brown’s lyrics have a soft and refreshingly good-natured vibe. Basically it’s extremely catchy and energetic, but its mid-tempo beats make the song a classic.

Friday, August 30, 2013

12 Underrated Songs from the Past 10 years- Part I


Disclaimer: You could argue that not a single song on this list is underrated. Every song here was released as a single and received National Radio play. Some, you might even argue, were overplayed when they were originally released. However, for some reason or another, none of these songs is widely considered a classic. Some of these songs happened, but were quickly forgotten. Others have remained popular, but are still not considered the masterpieces they deserve to be. Nothing grinds my gears more than a great song being dismissed as lesser work. Consequently, I’ve decided to make it my crusade over Labor Day weekend to let the American public know what songs they’ve either forgotten about or taken for granted over the past 10 years. I’ll unveil three songs per post, with the best three songs being revealed at the end. Here we go....

Number 12: John Mayer “Shadow Days” 2012




Okay, I get why people initially dismissed this song. John Mayer’s pretty annoying and this song is basically about Mayer trying to convince himself and the American public that he’s actually a good guy. John Mayer is basically that guy whose really earnest, but in a bad way. However, if you forget about Mayer’s personality and dating life, and just listen to the music, you’ll hear one the best Southern Rock style ballads of the past ten years. The song is a mix of traditional Mayer, with a country-western vibe thanks to Mayer’s expert use of the steel guitar. You’d be hard pressed to find guitar riffs better than Mayer’s in “Shadow Days.” Also as cringe-worthy as some of the lyrics are, they are deeply sincere and awfully catchy. However, this song was never able to reach the Top-40 in the US which is certainly a shame because it’s great jam, with a vintage sound reminiscent of The Allman Brothers.


Number 11: Maroon 5 “One More Night” 2012



This song was almost a tad too popular to make my list. Afterall, it stayed number one on the Billboard Charts for nine weeks and still remains popular today. However, why wasn’t this song nominated for like 5 Grammies? This was easily the best song of 2012, regardless of genre. If anyone but the guy from The Voice had released this song it would have been considered this generation’s “Beat It.” The songs beat contains a unique blend of hip-hop, pop, rock, and reggae, and has an irresistible hook. Also, these are some of greatest lyrics I’ve ever heard “Try to tell you no, but my body keeps on telling you yes/ Try to tell you stop, but your lipstick got me so out of breath.” Adam Levine reached a new level of douchey-awesomeness with this song.


Number 10: Jay Z. featuring R. Kelly “Big Chips” 2004



Before Watch the Throne there was Best of Both Worlds. Best of Both Worlds was a joint venture between Jay and Kelly both still at the top of their respective games, where they produced two albums and a stadium tour. “Big Chips” is easily the best song from this collaboration and one of the best rap songs of the decade, but for some reason never caught on like Watch the Throne’s “Ni**as in Paris.” The song has a laid back sound, with a minimalist theory regarding it’s use of bass and drums. The song is basically just a party song, where Jay and Kelly brag about how awesome their lives are. However, it still has one of the coolest and most unique rap beats of the 21st century.

Thursday, August 29, 2013

The Five Best Games of the College Football Weekend: Week 1

College Football Season: The Best Time of the Year.


Boat Shoes and Burritos is introducing a new weekly series where we’ll be informing you what the 5 best games of the upcoming College Football weekend will be. So instead of aimlessly searching for a decent game to watch on Saturday, let us be your guide, so you can use your time wisely every College Football weekend. After all, you don’t want to get stuck watching Toledo play Bowling Green, or worse, a Big Ten in conference game. Anyway, here are the 5 best college football watches this weekend:

 
North Carolina at South Carolina (Thursday 6 p.m. on ESPN)

No way I’m missing the “Battle of the Carolinas” tonight. We’re talking about Jadeveon Clowney, possibly the most physically talented Defensive End of all time, unleashing on the Tar Heels at 6 p.m. this evening in Columbia, South Carolina. Also, this game is a great early indicator for how the SEC East and ACC Coastal divisions will play out this year. With the Tar Heels being a sexy pick to win the Coastal Division, tonight we’ll be able to see how QB Bryn Renner in company stack up against an elite defense. Additionally, with South Carolina being a sleeper National Championship pick, tonight is the perfect gauge for how ready the Gamecocks are for this high-stakes season. What a perfect way to kickoff the 2013 College Football year.

Mississippi State vs. No. 13 Oklahoma State (Saturday 3:30 p.m. on ABC or ESPN2)

Seemingly everyone but Boat Shoes and Burritos picked the Cowboys to win the Big 12. As a result, I can’t wait to watch this game to see either just how right or how wrong I was. Regardless, I want to see this OK State offense in action. If you're really the best offense in the country, then prove it against an SEC defense (albeit a bad SEC defense, with a terrible secondary). Additionally, I want to see if the Cowboys defensive unit has made any improvements from last year. What better test than Tyler Russell and the Bulldogs attack? Also, it’s always fun to watch a game where an SEC team not named Kentucky or Missouri has a chance to lose.

Alabama vs. Virginia Tech in Atlanta (Saturday 5:30 p.m. on ESPN)

 Is Nick Saban ready to play Beamer Ball? Is anyone ever really ready for Beamer Ball? Well, Bama did beat Virgina Tech 34 to 24 in 2009 and as good as that Alabama team was, this one is probably better. Of course, I’m a little higher on the Hokies this year than most. I actually believe their pass rush will cause some trouble for this young Alabama Offensive Line. If that happens, this could be a tighter game than expected. Regardless, it’s two of the most rabid fan bases in the South meeting up in Atlanta. It’s AJ McCarron throwing to his new weapon Amari Cooper. It’s Logan Thomas looking for redemption. It’s watching possibly the greatest College Football dynasty of all time playing on a Saturday night. It’s College Football baby.

Georgia at Clemson (Saturday 8:00 p.m. on ABC)

This game is a no-brainer. We’re talking about two preseason top 10 ranked teams facing off on the first Saturday of the College Football season. This is a battle between two big time college football powers where the stakes are high. If Clemson wins Saturday, they’ll have a clear path to the National Championship game. Georgia, on the other hand, could lose this game and still sneak into the National Championship assuming they run the table and beat Bama in the SEC Title game. Of course, that’s a lot easier said than done. Expect a high scoring affair, where the stars of the show will be Aaron Murray and Tajh Boyd. However, the critical matchup will be the elite Georgia passing attack against Clemson’s young corners. Whatever happens, this is going to be a Saturday night to remember.

LSU vs TCU at Jerry World (Cowboys Stadium)  (Saturday 9:00 p.m. on ESPN)

Let’s call this the “Battle of the Underrated Teams.” It’s understandable why the Tigers aren’t ranked in the preseason Top 10. They ended their 2012 season losing the Chick-Fil-A Bowl to Clemson. Additionally, they lost several key defensive players to the NFL. However, no one reloads defenses like “The Hat” and Zack Mettenberger should only get better. I see this Saturday night game against the Horned Frogs as a great showcase for the Tigers, giving them the opportunity prove their doubters wrong. Additionally, TCU is a popular sleeper team this year and we’ll get to see if their offense is efficient enough to compete in the Big 12.

Honorable Mention: Boise State at Washington (Saturday 10:00 p.m. on Fox Sports 1)

 These teams always play each other hard. Plus, College Football is more interesting when the Broncos are good.

Wednesday, August 28, 2013

5 Celebrities Russell Wilson Looks Like.

Russell Wilson, QB 1 for the Seattle Seahawks.

In the past year American Football fans have fell head over heels in love with Seattle Seahawks Quarterback Russell Wilson. Even with fellow young breakout QBs Andrew Luck, RG3, and Colin Kaepernick all making their NFL debuts last season, Wilson stands alone as the diehard football fan’s favorite up and comer. And really, who can blame them?  He has the work ethic and attitude of Tim Tebow. He’s only 5’11”, so like Doug Flutie he’s relatable to the average American “Joe-Six-pack.” Additionally, he fell to the third-round in the 2012 NFL Draft because of his short stature and was consequently forced to work tirelessly in training camp last summer to earn the starting spot on the Seahawks. Moreover, coaches in both high school and college have consistently doubted Wilson’s ability to play QB. All of this of course makes Wilson a great underdog story which America loves. Basically, he’s scrappy and inspiring, just like Drew Brees. Then of course he’s fast in the pocket (like Aaron Rodgers) and extremely intelligent (like Peyton Manning), thus allowing him to win eleven games last season. However, for all of the NFL players Russell Wilson’s skillset reminds me of, there’s even more celebrities Russell Wilson looks like. Seriously, no other human being has as many celebrity doppelgangers as Russell “Hustle Bustle Real Man Muscle” Wilson. With that, here are five American athletes, musicians, and actors who look like Russell Wilson.


Tiger Woods:


 
 
Not only do they look alike, but they have the exact same voice and are both extremely popular with white males.


Ahmad Rashad:

A bit of a stretch, but he sort of looks like Russell Wilson in 25 years assuming a few things go wrong in Wilson’s life. Hopefully Wilson never becomes Michael Jordan’s lackey or hosts Ripley’s Believe it or Not.  
 
Michael Lee from The Wire:
 
Of all the “Corner Boys”, Michael was definitely the toughest and the best athlete. Also, like Wilson, Michael’s a natural leader. Russ should be proud to have young Tristan Wilds as a doppelganger.


Bruno Mars:
A skinnier, less athletic, more eccentric version of Wilson. Also, both are noted for being much shorter in real life.


John C. Reilly:






The fat, white, older version of WilsonThink about it.




Why Yasiel Puig is the Most Important Player in Baseball.

Dodgers Right-Fielder Yasiel Puig.

Anytime something seemingly come from out of nowhere and is legitimately fun or exciting, there’s always an inevitable backlash. Only a few weeks after Juno premiered in 2007 there was already hordes of internet bloggers criticizing the dialogue and claiming the movie was overrated. Also, during 2011’s “Tebowmania” every ESPN analyst and commentator not named Skip Bayless quickly proclaimed Tebow the worst starting quarterback in the history of the NFL. Further, there’s already a current backlash against Robin Thicke’s “Blurred Lines” claiming it’s sexist and plagiarized. Those both may be fair points, but I’m tired of people telling me the first time they heard “Blurred Lines” they instantly knew Thicke and Pharrel sampled Marvin Gaye’s “Got to Give it up.” Really? You listen to Marvin Gaye that often that you can tell when someone used a small portion of one of his baselines in a rap song? But I digress. Being a contrarian allows people the opportunity to be (or think they are) the smartest guy in the room. Even more, joining a backlash at its early stages makes you sound like a genius. Currently in Major League Baseball there’s a backlash against Yasiel Puig. Analysts claim he’s fundamentally flawed, journalists claim he has an attitude problem, and both current and former players say he’s overhyped and has little respect for the unwritten rules of the game.

 Puig’s ascension to fame occurred in early June of this year. Puig quickly became a Sports Center and YouTube sensation, thanks to his awe inspiring right field throws and monster homeruns. In just 26 games in June, Puig hit .436 with a .467 on base percentage and a .713 slugging percentage. He even won the National League Player of the Month Award. However, with the upcoming All-Star game approaching, players and analysts were quickly speaking out about why Puig didn’t deserve a spot on the National League team. Believe it or not, this vocal backlash actually worked, causing Yasiel Puig to lose the final spot on the N.L. All-Star team to Freddie Freeman. What’s more, throughout July and August the powers that be in Major League Baseball continued to downplay Puig’s accomplishments. All-Star team aisde, the backlash against Puig matters because baseball desperately needs him. Puig’s not just a five-tooled baseball player, but an all-around athlete on par with the greats of any other sport. Puig’s a lightning rod that gets casual fans interested in the game. More importantly though, he has the athleticism, personality, and marketability needed to get young people interested in baseball again. However, baseball might end up destroying Puig before he’s able to become a true superstar.

Athlete: Males from the ages of six to twenty six love emulating their favorite athletes. With all of our pent up energy and aggression, it’s no wonder why guys spend their leisure time trying to dunk like Lebron or run like RG3. We may never be great athletes, but it’s still fun pretending we are for a few moments. However, baseball during the recent past has given us very few guys who are fun to emulate. I remember growing up in the 90’s trying to swing the bat like Griffey, field like Omar Visquel, or run like Kenny Lofton. However, most of the established stars of the past ten years have been ace pitchers or hulking hitters. As great as Justin Verlander or C.C. Sabathia are, they don’t spend a lot of time running. Additionally Robinson Cano constantly jogs to first base and Miggy Cabrera is always on the verge of being moved to DH. The steroid era of the early and mid-2000s gave us a lot of bulky power hitters, but not a ton of all-around athletes. Twelve year-old me doesn’t want to spend all day swinging around a bat, twelve year old me wants to run too. However, with Puig, baseball has a five-tooled player who’s electrifying to watch and fun to imitate. Puig feels like an all-around athlete. He runs like Bo Jackson, fields like Willie Mays, and throws like Vladmir Guerro. His game stands as a counter-argument to the growing portion of Americans who think baseball’s boring. Puig’s a guy who leaves the game with his body sweating and his jersey dirty. Young people see Puig’s diving catches and surely recognize their on par with any great catch made by Calvin Johnson or Julio Jones. Puig has strength, speed, and coordination.  It’s a different game, but to play like Puig requires a similar amount of athleticism as any top football or basketball player. Puig is bringing the athletic side back to baseball and that’s important for its future growth.



Star-Potential: Baseball has done an awful job marketing its stars over the past ten years. Where the NBA overly markets its stars sometimes to the detriment of team loyalties, Major League Baseball has not created a national household name since David Ortiz. My mom doesn’t know who either Albert Puljols or Roy Halladay are. Nor does she know about Buster Posey or David Wright. I’m talking about stars who are known throughout the country to non-sports fans. No matter how hard you try, you can’t turn on the TV without Aaron Rodgers or Blake Griffin telling you who they are. Of course, baseball’s emphasis on the team aspect of the game is a noble thing. Still, American kids are growing up are constantly told how important individualism and self-expression are. Further, we’re currently and for the foreseeable future in a Kardashian- America where fame and notoriety are more important than real achievement. I’m not saying that’s a good thing and baseball should still keep its team-first aspect, but they should also simultaneously market their players so their well known to Americans.  If young people have a chance to know who the best players are and think their cool, they’ll aspire to be like them. Hopefully, Puig can become a star on the same level as Jeter. Puig’s young and, as mentioned before, a supreme athlete. However, Puig also has swagger. He often leaves the top button on his jersey unbuttoned and gives a signal to the heavens after every homerun.  Additionally, Puig is a showman. He occasionally adds theatrics to some of his catching and base running that’s not always necessary, but certainly entertaining. His flair for the dramatic is equal to Deion Sanders or Terrell Owens in their respective primes. Despite all the “unwritten rules” Puig is probably breaking, his game shows how much fun playing baseball can be. Something baseball has had a hard time communicating in the recent past. Contrary to what all the baseball traditionalists might think, baseball players should be entertaining as well.

Right-Time, Right Place: In particular, baseball has failed to properly marketing their Spanish-Speaking superstars of the past decade. Sure Mariano Rivera, Sammy Sosa, and David Ortiz all became household names, but how many non-baseball fans are truly aware of how great Miggy Cabrera is? Puig was born in Cuba and his first language is Spanish, so marketing him may not be as easy as Bryce Harper. However, the Spanish-speaking population of America is growing rapidly every day. Certainly placing Puig in Spanish language commercials would both reach and play well will a large segment of the current American population. Additionally, Puig’s story as a Cuban defector who floated on a raft to Mexico in order to become a MLB free agent sounds right out of Hollywood. With so much of our young baseball talent being composed of middle class good ole boys from the South with reserved personalities, won’t Yasiel Puig back-story be refreshing? Moreover, Puig’s a young guy with a winning smile, making him a great asset for Madison Avenue. Futher, Puig’s playing for a big-market franchise. However, he’s also playing for the Los Angeles Dodgers at the exact right time. With the Lakers in rebuilding mode and no NFL team residing in the city, the Dodgers are currently the talk of the town. What’s more, the Dodgers are back to being a glamour franchise. With a huge television contract, Magic as a partial owner, and depths of talent, the Dodgers should be contenders for the foreseeable future.  Of course, the Dodgers haven’t exactly made Matt Kemp a major star, and he’s an American who previously dated Rihanna. Hopefully, Puig’s dynamic and oft discussed rookie season will be the perfect launching point for his future status as a pop-culture icon.  

All of this of course assumes Puig’s rookie year is not a fluke. Some of the criticisms of Puig’s game are actually true. He constantly swings at bad pitches and misses’ cut-off men from time to time as well. Additionally, his brash ego may stop him from taking advice from colleagues who simply want to see him succeed. These flaws could ultimately  prove too much to overcome, and Puig could turn out to be just another above-average player.  However, it’s important to remember Puig’s only 23 years old. He’s still a raw talent, but has all the intangibles necessary to be a hall-of-famer. Puig has to learn plate discipline. Additionally, like any other twenty-three year old he has a little growing up to do. Missing a 4:00 p.m. practice is not acceptable, even if you were hanging out with Lebron the night before. However, with the right mentoring from Don Mattingly, Puig gives me little doubt he’s the real deal. Longtime baseball fan Larry King said last week on Colin Cowherd’s radio show that he has the potential be the best pure baseball athlete since Roberto Clemente.  

The fact that there’s even a backlash against Puig is an exicting thing as well. Casual fans are talking about this guy. Like Johnny Manziel, people may not be sure if they like him, but they find him interesting and are excited to watch him play. However, those who make their living in the baseball industry have to stop telling everyone to curb their enthusiasm. Why should we? Instead, baseball should promote Puig as much as possible. Most baseball fans would rather hear about Puig than hear another story about players getting busted for PEDs. Speaking as a baseball fan under the age of 30, Puig is making me excited to watch baseball again. Why are the controlling interests in baseball trying to stop this?
 

Tuesday, August 27, 2013

The Newsroom Season 2, Episode 7 “Red Team III” Review

"Go Bruins."



In a show that’s often frustrating, “Red Team III” was perhaps the most frustrating episode of The Newsroom yet. This episode had all the makings of a classic. For many moments in “Red Team III” I thought it was going to exceed last year’s “I’ll try to Fix You” and “The Greater Fool.” However, the final scene of the episode eliminated all of the suspense building throughout  both the episode, and really all of the season, and kept “Red Team III” from being a truly stellar hour of television.

 The narrative framing device of “Red Team III” involves several members of the News Night team, along with Don and Sloane, being interviewed by News Night’s lawyer Rebecca regarding the Operation Genoa story. The first twenty minutes of the episode are particularly gripping, with Don, Jim, Neal, and Sloane telling Rebecca about the final stage of the Genoa vetting process, known as the Red Team III meeting. The four of them tell Rebecca that during the meeting, Jerry Dantana and Mackenzie run Will through every piece of evidence they have regarding the Genoa story. Will, who was intentionally kept in the dark about this story, remains silent and expressionless, throughout most of the meeting. Reminiscent of Sorkin’s work in The Social Network, Rebecca’s interviews have been an effective story-telling device all season long. Don is particularly snarky when talking with Rebecca and his sarcastic tone plays especially well with Rebecca’s dry wit during the opening scene. After the evidence is presented, Will surpisingly tells everyone he has heard about this story from another source, but can’t reveal who the source was. However, even with Will’s source, Jim, Don, and Neal still have their doubts regarding the validity of the Genoa story.  In a great exchange, Jerry suggests to  Jim that the reason he doesn’t believe the story is that he “fetishizes” our armed forces. Jim responds, claiming he gives our troops “the benefit of the doubt” citing that they willingly signed up for a war neither Jerry nor him wanted to “dirty our hands with.” However Jerry quickly retorts, claiming he too gave them the benefit of the doubt until he saw the Guantanamo pictures. Jerry then brings up everything the US has done up until this point during the War on Terror (suspended due process, water boarding, torture, rendition) and asks Jim why he thinks using sarin gas on civilians would be where we’d drawn the line. Jerry then suggests that the real reason Jim doesn’t like this story is because it’s Jerry’s and not his. Although it’s a very controversial topic and I tend to agree with Jim’s line of thinking regarding it, I thought Jerry made some compelling arguments regarding our military. Their argument drew allusion to another Sorkin screenplay, “A Few Good Men”, and made for electrifying television. Afterward, Jim and Don continue to bring up the serious implications this story might have, and then the camera pans around the meeting room and goes to Will who says “I trust Charlie and Mac.” The Red Team III scene was Sorkin at his best. No one writes dialogue where several characters debate a serious issue better than him. The score adds a great level of magnitude to the scene and having Will remain silent during most of it only adds to the level of tension.
 
However, the episode itself was unable to live up to the potential hinted at during theRed Team III scene. We watch as News Night broadcasts the Genoa story and then watch as the News Night staff tells Rebecca about how one by one the validity of all their sources begins to unravel. Elliot finds out Sweeney suffered a traumatic brain injury in action; Mac realizes she asked Valenzuela leading questions during the pre-interview, etc. There was a heartbreaking scene where we find out Charlie’s source just wanted to hurt News Night’s credibility as payback for firing his son a few years back, who since being fired died of a drug overdose. Additionally, there were some other funny moments such as where Will explains shot clocks to Mac (she’s a big UCLA Bruins football fan now) and where Jerry calls Jim “G.I. Jim.” However, I just wish the episode ended one scene earlier. We get a great scene where Mac finds out that Jerry edited the raw footage of General Stomtonovich, thanks to her new knowledge of shot clocks, and an even better one where she confronts Jerry on the elevator about it. That all leads to the somber moment where Will’s meeting with staff regarding Benghazi is interrupted when Mac informs everyone they have to retract their Genoa story. If the episode had ended then, we would have been left with an excellent cliffhanger about the ultimate fallout of for Will and the rest of News Night regarding the Genoa story. However, the episode ends instead with Leona meeting with Will, Mac, and Charlie at Will’s apartment, letting them know that she won’t accept their plans to resign. She then inspiringly tells them they’ll just have to figure out a way to win the public’s trust back. I don’t know, but something about Leona’s response just seemed anticlimactic. It tied up the Genoa story too quickly and too neatly. Yes News Night still has to win the public’s trust back, but I expected more conflict from Leona who works best as an antagonistic to the News Night team.

Nevertheless, this was still a very good episode of The Newsroom. Emily Mortimer (Mackenzie) and Sam Waterson (Charlie) give some of their best performances here. Additionally, Hamish Linklater (Jerry) is particulary fantastic here and I’ll miss him as a villain on the show.  However, "Red Team III" had all the makings of a great episode.

Monday, August 26, 2013

Breaking Bad's Tweleve Greatest Scenes: Number 1


Number 1: Walt compliments Jesse.

Season 3, Episode 7 “One Minute”
Jesse and Walt


Picking the number one choice was certainly difficult. I knew it had to be turning point moment. However, along with being a critical plot moment, I also wanted the number one scene to explain the characters. Breaking Bad, more than any other drama series, is truly about the characters and their relationships with each other. While The Wire was about the drug trade in Baltimore, Breaking Bad isn’t really about the meth trade in Albuquerque. It’s about Walt’s journey, and how it affects his family and most importantly, how it affects his partner Jesse. It’s that rationale why I picked this heartbreaking scene between Jesse and Walt during “One Minute” as Breaking Bad's greatest scene.

In the previous episode “Sunset”, Hank is outside of Jesse’s R.V., demanding that Jesse open the door to let Hank search the RV. Unbeknownst to Hank, Walt is also inside the R.V.. When Jesse refuses, Hank makes a call so he can obtain a warrant to search the R.V. However, Jesse and Walt, with the help of Saul and his secretary, are able to trick Hank into thinking his wife Marie was involved in an accident and is currently hospitalized. Hank then rushes to the hospital, allowing Walt and Jesse to escape, but soon realizes he has been tricked. Early in this episode, Hank shows up at Jesse’s house and brutally beats Jesse, punching him several times in the face. Jesse is left hospitalized, with a swollen face and plans to press charges against Hank. Additionally, Jesse still blames Hank and harbors plans of revenge against him. With hopes on making amends, Walt tells Gus he wants to fire Gale and have Jesse come aboard as his lab partner. Walt then visits Jesse in the hospital to make him the offer.

Walt pitches the proposition to Jesse, allowing him to be a full partner, thus giving him a $1.5 million dollar salary. Jesse refuses, citing that Walt’s main motivations is just to protect his brother-in-law. When Walt asks him to explain how he’s going to turn down $1.5 million dollars, a frantic  and restless Jesse clarifies that he’s not turning down the money, but is instead turning down Walt. Jesse tells Walt that ever since he starting working with him everything good in his life has disappeared. Further, Jesse explains that he is currently left with nothing and with no one that cares about him. Jesse goes on, citing that Walt only cares about himself. On the verge of tears, Jesse then asks Walt why he would even want Jesse, when a few days earlier Walt called Jesse’s version of the blue meth inferior. Walt then states in a calm and reassuring voice “Your meth is good Jesse. As good as mine.” Walt exits and the camera pans to a trembling Jesse on the hospital bed.

This was certainly a watershed moment in the series. After Walt complimented Jesse, Jesse decided not to press charges against Hank and joined Walt in the super lab. If not for this scene, Jesse may have never worked for Gus or even Walt ever again. Although that may have been a good thing, I still believe Walt’s heart was in the right place here. Although not having Jesse as an enemy was certainly beneficial to Walt, I truly believe Walt felt deep remorse after seeing Jesse so beaten and spiteful earlier in the episode. Walt wanted to give Jesse something special, a very well-paying position in an advanced chemistry lab where Jesse would not have to face the dangers associated with dealing. Jesse’s speech to Walt, where he explains that everything in his life has gone wrong since he started working with Walt was heartbreaking. Further, the moment where Jesse presses Walt as to why he would even want a “nothing” like Jesse, who makes “garbage” meth was especially painful. However, Walt ended the conversation perfectly. Jesse and Walt need each other, but Jesse needs Walt as a father-figure especially. Jesse has a terrible relationship with his father, who has simply dismissed Jesse as a loser. As a result, getting a compliment and reassurance from Walt that he’s not a “nothing”, meant so much to Jesse. Additionally, it may have meant even more coming from his former chemistry teacher, considering Jesse failed Walt’s class in highschool. Additionally, we know how difficult it was for an egomaniac like Walt to admit Jesse’s meth was equal to Walt’s. Naturally, this makes the moment even more touching. Up until this point, this remains the most telling moment in the relationship between Walt and Jesse. It’s a beautiful scene between Breaking Bad’s two most important characters, and is one of greatest moments in the history of television.  

Sunday, August 25, 2013

Breaking Bad's Twelve Greatest Scenes: Number 2

Number 2: Hank's Soliloquy.


Season 4, Episode 7 “Problem Dog”




Hank, Gomez, and Merkert.

After Hank’s injury, there was a long period where he didn’t seem like himself. He started to ignore his wife Marie (understandable) and he also started seriously collecting minerals. Without the DEA and Heisenberg to keep him occupied, Hank sort of became a bummer. However, early in Season 4 a senior cop for the Albuquerque Police Department whose investigating Gale’s murder stops by to give Hank Gale’s lab notes, found at Gales’ apartment. Hank originally believes Gale to be Heisenberg, but after egotistical moment from Walt who foolishly tells Hank that Gale doesn’t seem like the genius behind the blue meth, Hank starts investigating more. Hank then has a meeting with Merkert and Gomez, stating that he might have a lead in their Heisenberg investigation.

Hank then delivers a five minute soliloquy where he proves a connection between Gale and Gus Fring. Hank starts by explaining to them who Gale was and how he received his lab notes. Hank explains that Gale was a genius chemist, a vegan, and also a cook of the blue meth. Hank makes it clear that he doesn’t believe that Gale is Heisenberg, but instead Heisenberg’s former partner. Hank then shows them a Los Pollos Hermanos napkin he found at Gale’s apartment with a parts number written on it for an Industrial Air Filtration System. After doing some snooping, he finds that the Air Filtration System is manufactured by the German company Madrigal Electromotive, which also happens to be the parent company for Los Pollos Hermanos. Hank then explains that he kept wondering why Gale, a vegan, would have a Los Pollos Hermanos napkin in his apartment. Hank then suggests maybe he’s meeting someone there, and maybe, just maybe, it’s Gus Fring. When Gomez and Merkert express their doubts, Hank says he couldn’t agree more. However, Hank then shows them proof of Gus’s fingerprints at Gale’s apartment.

For a show that does a lot of great closing scenes, this was my favorite one. Hank is a masterful storyteller and reveals himself as considerably more intelligent then we may have initially assumed. The way Hank navigates Gomez and Merkert through his investigation and thought process was a brilliant exercise is persuasion. Hank tells them step by step how he arrived at his conclusion and expresses his own skepticism along the way, making his end theory all the more credible. Additionally, I love the way Dean Norris uses his eyebrows to express his range of emotions during this scene. Norris might be the most underrated actor on the show. Further, this scene is a fantastic cliffhanger. We now know Hank, and possibly the DEA, have Gus on their radar. Hank was able to connect the dots, meaning it’s just a matter of time before he inevitably discovers who Heisenberg really is.


Saturday, August 24, 2013

Breaking Bad's Twelve Greatest Scenes: Number 3

Number 3:  Hank versus the Cousins.

Season 3, Episode 7 “One Minute”

Dean Norris as Hank Schrader.


Unless the movie stars Keanu Reeves or Paul Walker, I’m generally not a huge fan of action films. However, I will still commend an expertly executed action scene when I see one. Throughout Season 3 we see two twin assassins from the Cartel make their way to Albuquerque to avenge the death of their cousin Tuco. Initially their after Walt. However, Gus redirects them, asserting that Walt works for him and that Hank Schrader was Tuco’s actual killer. Meanwhile, Hank is temporarily suspended by the DEA, without pay, for assaulting Jesse and therefore  is forced to hand in his gun.

The scene opens with Hank sitting in his parked SUV in a shopping center parking lot. Hank’s phone rings and the voice on the other line says” Two men are coming to kill you. You have one minute.”  Hank immediately calls Gomez thinking it was a joke, but gets no answer.  Realizing he just turned in his gun, Hank has a sudden moment of panick and starts repeatedly checking his rearview mirrors to see if anyone is coming. Hank sees the Cousins in the distance, but then they disappear behind other cars. Then Hank sees one of the Cousins, Leonel, directly behind his SUV with a gun. Hank reverses his SUV into Leonel, who shoots a bullet into Hank’s arm. Hank escapes the car with Leonel’s gun in hand, while the other Cousin Marco shoots at Hank in the leg several times. Marco goes to Leonel’s aid, who simply tells Marco to finish Hank. Attempting to find Hank, Marco ends up shooting bystander that he initially thought was Hank. Then Hank, sitting in between two cars shoots Marco several times in the chest. However, Marco is wearing a bullet proof vest, and allows him to recover quickly and shoot Hank three more times. Hank falls to the ground and Marco points his gun at Hank, but declares it “too easy.” Marco goes to retrieve an axe from his car, allowing Hank the time to grab a bullet with his bloodied hand and place it in Leonel’s gun. Alas, when Marco returns and raises the axe above Hank, Hank shoots him square in the head. Marco falls immediately to the ground and the scene ends with a overhead shot of the parking lot, with all three bloodied men laying on the ground.

Definitely the most exciting scene in the history of Breaking Bad. Although Hank is a great character and his DEA storylines add a nice dimension to the show, he’s not Walt or Jesse. Therefore, it was entirely possible that the writers would have killed off Hank in this scene while still allowing the story to continue on. This makes the stakes for this scene that much higher. The Cousins are certainly a formidable foe here and had Hank not received that phone call, he would have likely died.  The standoff between Hank and the Cousins was great, but the best part of that scene was the one minute after the phone call where Hank remains in his SUV looking both lost and terrified as he checks his rearview mirrors to see if someone if coming. The quiet before the storm moment here was something truly memorable.

Friday, August 23, 2013

Breaking Bad's Twelve Greatest Scenes: Number 4

Number 4: Walter White’s Play by Play.

Season 4, Episode 1 “Box Cutter”



“Box Cuter’s” landmark scene represents Breaking Bad’s perfect marriage between heart pounding suspense and twisted, dark humor. During the previous episode “Full Measure”, Mike and Victor are about to kill Walt at the Superlab per Gus’s orders. However, Walt is still able to instruct Jesse to kill Gus’s other chemist Gale. Walt’s reasoning behind this is that Gus would have have to let him and Jesse live because, with Gale dead, only they know Walt’s formula now. Victor finds Jesse and brings him back to the Superlab by gunpoint. Victor, who has often watched Walter work, starts cooking the meth himself to prove they do not need Walter and Jesse at all. While Victor is cooking, Mike and Jesse remain silent while Walt seemingly won’t shut up. Walt says “I want to go on record that we should all be wearing masks.”  Walt then keeps saying to Jesse that he bets Victor forgets the aluminum. Walt  continues to troll on Victor until Victor adds the aluminum to the formula, to which only a stunned Walt can’t reply “Son of a Bitch.” Gus then arrives and see’s Victor cooking the meth. A scared Walt then starts pleading with Gus, claiming he left him no choice but to Kill Gale and that only Jesse and he can properly cook the formula.  When Victor responds that he knows how to cook it, this outrages Walt and causes him to starts asking Victor a series of advanced chemistry questions. Victor responds that all he needs to do is follow a recipe. While Walter keeps babbling that Victor is not a real scientist and trying to reason with Gus, everyone else remains silent. All the while, Gus is holding a box cutter and standing in between Victor and Walt. Gus then steps behind Victor and slits his throat, leaving Walt, Jesse, and Mike equal parts horrified and stunned.

This scene had me on the edge of my seat the entire time. In the moment, Walt and Jesse’s lives seemingly hang on whether Victor can correctly cook Walt’s formula. If Victor makes a mistake they live, but if Victor does everything correctly both the characters and the audience are under the impression they will die. I love the contrast between Jesse and Walt in this scene. Jesse is at loss for words and seemingly paralyzed by fear, while Walt can’t stop talking. Walt’s play by play commentary of Victor’s cooking is twistedly funny and sort of reminiscent of Johnny Miller when he’s covering Tiger at the US Open. Additionally, Gus’s meticulous movements throughout the scene were gripping.  Then when Gus surprisingly kills Victor with the boxcutter, the look of shock on everyone’s face is unforgettable. Even Mike looks terrified of Gus at this moment. Just an expertly written scene and a great piece of ensemble acting, that sets the tone for the rest of the season.

Breaking Bad's Twelve Greatest Scenes: Number 5

Number 5: Jesse in Group Therapy.

Season 3, Episode 9 “Kafkaesque”


I wasn’t a fan of Jesse Pinkman when I first started watching Breaking Bad. I thought he was simply a hot-headed scumbag who was too stupid to even become a capable meth dealer. However, as time  passed and we got to know Jesse, I grew to like the character more and more. With Season 2’s “Peekabo”, Jesse quickly became my favorite character. Still, I think the defining moment for this character came during a tender scene where Jesse was in a group therapy session during “Kafkaesque.”

Jesse started going to rehab at the end of Season 2, after his girlfriend Jane overdosed on meth. After Jesse leaves rehab, he still occasionally makes stops at group therapy. At this session, the Group Leader asks Jesse what he would do with his life if money wasn’t a problem. Jesse simple states that he would make stuff with his hands. When the group leader asks him to be more specific, Jesse tells a story about a woodworking class he took in high school. The class’s assignment for the semester was to make a box, so Jesse makes the box as quickly as possible, thinking he could get a “D” and just slack off for the rest of the semester. However, when he showed the teacher the box, the teacher responded “Is that the best you can do?” Jesse says that there was something about the way the teacher asked that question, claiming that the teacher wasn’t implying that it “sucked,” but was honestly asking if that was the best Jesse could do, that struck a chord with Jesse. Jesse decides to keep working on the project for the rest of the semester. He becomes enthralled with the project, explaining that he kept working on the box until it was perfect. When the group leader asked Jesse what happened to the box, Jesse, while keeping his head down, told the room that he gave it to his mom.  After Jesse's story the Group Leader starts bringing up adult extension programs where they teach wood-working that could eventually lead to a career for Jesse. However, Jesse quickly interrupts him, bluntly explaining that he didn’t give the box to his mom, but instead traded it for an ounce of weed.

This scene explains who Jesse Pinkman is perfectly. Despite Jesse’s attitude problem and slacker image, he’s an intelligent and hardworking person. If you push Jesse, the way the wood-working teacher did in high school or Walt has done throughout the series, Jesse is capable of accomplishing some *great things. However, what makes Jesse an ultimately doomed character is that’s he’s too guided by his emotions and addictions. It’s these flaws that keep Jesse from ever thinking logically. Instead of giving the box to his Mom and possibly helping to repair that relationship, he trades the box so he can get stoned. Additionally, Jesse continuously lets Walt talk him back into joining forces with him by either insulting Jesse or pulling at his heartstrings. Aaron Paul gives an electrifying, but also heartbreaking performance here telling this story. Jesse wants to be a good person and his heart is usually in the right place, but he’s simply too damaged of a human to ever really be saved.


* By great, I mean cooking Walt's meth formula perfectly in Mexico.

Thursday, August 22, 2013

Breaking Bad's Twelve Greatest Scenes: Number 6

Number 6: "Fuck You."

Season 2, Episdoe 6 “Peekabo”

A nice afternoon lunch between Gretchen and Walt.

“Peekabo” belonged to Jesse. This episode’s storyline where Jesse is in a crack-house with two meth heads, their child, and an ATM, made him my favorite character on the show. Additionally, the Jesse storyline was the first time Breaking Bad achieved true greatness. However, the best individual scene of this episode belonged to Walt.

In Season 1, Walt and Skyler go to his former Gray Matter partner Elliot’s birthday party. Elliot is now married to Walt’s former lab assistant and ex-girlfriend Gretchen. Due to their ownership of Gray Matter, the two are exceedingly wealthy. Elliot and Gretchen offer to pay for Walt’s cancer treatment. Walt refuses, but tells Skyler that he is able to afford his cancer treatment because of Elliot and Gretchen’s help, still keeping Skyler in the dark as to his meth business. When Skyler later thanks Gretchen for her help, Gretchen insists she meet with Walt to figure out the confusion. The scene opens with Walt and Gretchen at a restaurant. Walt immediately apologizes for involving Gretchen. When Gretchen asks Walt how he got the money, Walt says it’s none of her concern. When Gretchen insists she deserves an explanation now that Walt involved her in his lie, Walt responds to Gretchen, in a moment of quiet anger, that he doesn’t owe her an explanation. The discussion becomes heated as Walt mentions that he refused to take her handout because in the past she and Elliot cut him out of Gray Matter. Additionally, Walt claims they used his hard work and research in order to make millions for themselves. Gretchen brings up how Walt broke up with her and that his pride caused him to quit Gray Matter. Gretchen then says that “I feel so sorry for you Walt.” Walt, trembling in a fit of rage, coldly responds with a horrifying look on his face “Fuck you.”

This is some Cranston’s best work ever. With his delivery of “Fuck you”, you can see the limits of hatred Walt is capable of when you cross him. Additionally, this scene tells us so much about Walt’s motivations. For all of Walt’s genius, his pride has kept him from reaching his full potential. Although we still don’t know exactly what happened between Walt, Elliot, and Gretchen, Walt let his pride get in the way of potentially owning a billion dollar business. Additionally, Walt’s pride stopped him from taking money from Elliot and Gretchen, which could have prevented Walt from becoming trapped in the meth business. Walt is truly motivated by ego and self-importance. He wants others to recognize his genius and nothing eats at him more than the idea of someone pitying him. This scene captures all of that and helps us truly understand who Walter White is.
 

Breaking Bad's Twelve Greatest Scenes: Number 7

Number 7: "Just the Right Amount of Dirty."

Season 3, Episode 11 “Abiquiu”




Though Breaking Bad is rightly categorized as deeply serious crime drama, throughout its run it has continuously remained one of the funniest shows on television. The great moments of black comedy come from many members of the cast, notably Hank, Badger, and Jesse. However, by far the most consistently funny character on the show is Walt and Jesse’s lawyer Saul Goodman. Saul’s a complete sleaze ball, however even with his shady practices and complete lack of ethics; he’s still one of my favorite characters from Breaking Bad. A marketing whiz, Saul has a plethora of low budget late-night ads and even changed his name from McGill to Goodman so his clientele would think their getting a Jewish lawyer. I could have picked a number of hysterical Saul moments, but the one that made me laugh the most was when Saul met Skyler White.

In “Abiquiu” Skyler demands that Walt introduce her to the person laundering Walt’s meth money. This of course is Saul Goodman. The scene opens in Saul’s office, with Syler staring at Saul’s degree from the University of American Samoa hanging on the wall. Saul introduces himself and then says” Walt never told me how lucky he was. Clearly his taste in women is the same as his taste in lawyers, only the very best, with just the right amount of dirty.” What’s best is that he says the “just the right amount of dirty” part in a deep, seductive voice. Skyler has a blank stare on her face, so Saul clarifies that it was a joke explaining that clearly she is so very classy. Saul then attempts to explain money laundering to Skyler as if she were a 12 year old, using jelly beans to represent the money. After Skyler clears up that she’s a bookkeeper and knows what money laundering is, Saul continues to hilariously tell her his plans for laundering the future profits for Walt’s business. Additionally, throughout the meeting Saul continues to lewdly compliment Skyler on how beautiful she is. Skyler, however is not impressed with Saul’s plans and keeps pointing out holes.

Saul is classic Saul in this scene and the “Just the right amount of dirty” line might be his best from the series. Also, Skyler works as a great foil to Saul. Saul can’t help but being sexist and sleazy, which is what makes this interaction so great. He’s like a more ruthless version of Michael Scott. Breaking Bad sometimes verges on the brink of being too intense to be enjoyable entertainment, which is what makes scenes like this so valuable. Breaking Bad would not be the pantheon level show it is without Saul.

Wednesday, August 21, 2013

Breaking Bad's Twelve Greatest Scenes: Number 8

Number 8:  “I’m in the Empire business.”


Season 5, Episode 6 “Buyout”
breaking-bad-506-buyout-bryan-cranston-aaron-paul.jpg

In the previous episode, Mike, Jesse, and Walt had just orchestrated a train heist in which they stole 1,000 gallons of methylamine. However, the train heist ended with a young boy dead and thus left Jesse in frenzy. Additionally, Mike's under heavy suspicion by the DEA, so Mike and Jesse tell Walt they want out of the business. Mike suggests that they sell the methylamine to his Phoenix contact Declan for $5 million apiece. Jesse agrees, but Walt refuses, claiming the more prudent business move would be to cook and sell the meth themselves, which would yield around $300 million.

In an effort to convince Walt, Jesse makes a rare appearance at the White residence and is invited into Walt’s home. Jesse boldly asks Walt whether he’s in meth business or the money business. Additionally, Jesse reminds Walt that when he started out in the meth business, all he said he needed to make was $737,000.  Further, Jesse tells Walt that if he agrees to sell his shares of the methylamine he could be out of the meth game tomorrow, be financially stable, and prevent the risk of any future harm to his family. However, Walt then tells Jesse about Gray Matter. Gray Matter is a pharmaceutical company Walt and his grad school friends started. Walt tells Jesse that due to a disagreement with his partners, he took a buyout of $5,000, which Walt informs Jesse was a lot of money to him at the time. Walt then tells Jesse that the company is worth billions today and that he checks its net worth every week. Walt then declares to Jesse that he’s not in the meth business or the money business, but instead in the “empire business.” However, Jesse gets the last word in, asking Walt if a meth empire is really something to be proud of. At that exact moment, Skylar walks in the door and Jesse stays for dinner.

The dinner scene between Jesse, Skylar, and Walt is one of the funniest and most cringe worthy moments ever on the show. However, I’m picking this scene for Walt’s conversation with Jesse. This scene reminds us how much Jesse has grown since the early days of the show, now acting as the voice of reason of the two. Someone needed to remind Walt that he’s totally lost track of his original ambitions for cooking meth and I’m glad Jesse did it here. As the audience, we already knew Walt was overly prideful and egotistical about his genius. We also already knew that Walt still held a grudge towards his former Gray Matter partners, but we never knew it haunted him to this extent. True, Walt missed out on an opportunity to own a billion dollar company and that would eat away at most of us. However, Walt is willing put himself and his family at further risk just so he won’t make the same buyout mistake he made with Gray Matter. This scene reminds us that part of Walt’s ambitions for the getting into the meth business was always to prove to himself and his former partners that he was twice the chemist they ever were. What's more, when Walt makes that sinister statement that he’s in the “Empire Business”, it becomes clear that Walter White is beyond salvation. Really, the only frustrating part of this scene is that Jesse never gets his final question answered. However, I’m guessing Walt’s honest reply would have been that having full control over a chemistry enterprise worth hundreds of millions would help him forget about Gray Matter.

Breaking Bad's Twelve Greatest Scenes: Number 9

Number 9: Badger gets arrested.

Season 2, Episode 8 “Better call  Saul”


This was easily the best cold opening ever on the show. In the middle of Season 2, Walt and Jesse are cooking meth in the RV again and using Jesse’s friends Skinny Pete, Combo, and Badger as street dealers. The scene opens with Badger sitting on a park bench. Badger is approached by a very thin and nervous looking guy, who sits down on the bench and asks if he’s selling. Badger refuses, saying he “smells bacon” and laughs while pointing out the “inconspicuously parked” van with the Duke City Flowers logo on it. Badger even suggests to the guy that he and his police colleagues use a garbage truck instead, as that’s “less suspicious looking.”  However, the guy is persistent and keeps insisting he’s not a cop. He even lifts up his shirt to prove he’s not wearing a wire, which causes Badger to point out how pale he is. Badger then asks the guy to find another way to prove he’s not a cop. The guy tells Badger that if Badger formally asks him if he’s a cop, he is constitutionally mandated to honestly answer him. Badger believes him and formally asks if he’s a cop. The guy tells him no and Badger tells him the price. The guy complains that the meth is overpriced, but then reluctantly agrees. The two complete the deal on the bench and the guy motions to walk-away. However the guy quickly turns around, pulls a gun out from a leg holster and shouts “Albuquerque police your under arrest.” We hear sirens and two vans quickly appear.

If this scene had a greater impact on the overarching story of the show, or involved more important characters, I would have considered placing it number one. The acting by Matt L. Jones and D.J. Qualls is superb here and the scene is expertly written. The back and forth between Badger and the undercover is hilarious. Badger remains his happy-go-lucky and immature self throughout the scene, while the undercover cop remains casual and unassuming. Badger teases the cop and the cop simply acts like an overly nice and nerdy guy who just wants to buy some meth. With his scrawny body and shy demeanor, this guy could not look less like a cop. Which of course makes the final reveal all the more shocking. Additionally, doesn’t it make perfect sense that Badger would believe he had a constitutional right to know whether or not this guy was a cop?  A great scene of comic relief from the always welcome Badger.